Hola queridos y apreciados amigos, espero estén de lo mejor la noche de hoy
Para seguir un poco con la música de cuartetos hoy quiero traer más de un compositor que sin duda alguna es muy pero muy necesario interpretar, sobretodo por la riqueza musical.
Beethoven
Como dije en publicaciones pasadas uno de los tantos compositores importantes en el repertorio de la música de cámara es Beethoven, empezando por el conocimiento de composición que el aplicó, el saber donde poner las frases y el acompañamiento, sumado a la madurez.
Además de esto, el hecho de vivir una casi transición de un período a otro, como lo era el "clasicismo" y el "romanticismo"
Un punto importante de mencionar es justo la diferencia que hay entre los primeros cuartetos y los últimos, donde es evidente la madurez que comenté anteriormente, sumado al mismo sufrimiento que vivió Beethoven al pasar los años.
Hoy vamos a escuchar el cuarteto número 3 de este compositor, específicamente el último movimiento, pero antes quisiera preguntarles a ustedes si esta melodia del comienzo es conocida para ustedes... En tal caso de serlo me encantaria que me lo mencionaran en los comentarios😂 (me siento un youtuber)
En este fragmento escucharemos una melodia muy divertida, como si fuese quizás una burla, donde poco a poco va adentrandose a un color más Beethoven, demostrando así nuevamente su carácter como lo hace en su primer movimiento,
Así que sin más nada que agregar espero les guste, ¡abrazo grande!
/
Hello dear and dear friends, I hope you are having the best tonight
To continue with the music of quartets today I want to bring more than one composer who is undoubtedly very, very necessary to interpret, especially because of the musical richness.
Beethoven
As I said in past publications, one of the many important composers in the chamber music repertoire is Beethoven, starting with the compositional knowledge that he applied, knowing where to put the phrases and the accompaniment, added to maturity.
In addition to this, the fact of experiencing an almost transition from one period to another, such as "classicism" and "romanticism"
An important point to mention is precisely the difference between the first quartets and the last ones, where the maturity that I mentioned earlier is evident, added to the same suffering that Beethoven experienced over the years.
Today we are going to listen to quartet number 3 of this composer, specifically the last movement, but first I would like to ask you if this melody from the beginning is known to you ... If so, I would love to hear it in the comments (I feel like a youtuber)
In this fragment we will listen to a very funny melody, as if it were perhaps a joke, where little by little it goes into a more Beethoven color, thus again demonstrating his character as he does in his first movement,
So without anything else to add I hope you like it, big hug!
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