Part 15/19:
A significant portion of Wilson’s current focus centers on spatial audio formats like Dolby Atmos and immersive sound environments. He is actively designing music with multi-dimensionality in mind, often tracking multiple versions of scenes—such as acoustic guitars recorded four times or layered vocals—to craft an enveloping experience.
He points out that most consumers do not possess elaborate 7.1.4 speaker setups, but this doesn’t deter him. Wilson advocates for creating music that can be enjoyed in various configurations, emphasizing that immersive formats will cater to a niche of dedicated audiophiles and experimenters. He encourages hosting playback sessions in special rooms to share the experience firsthand, reconnecting listeners with music as a spatial and emotional journey.