Part 6/8:
Playing in different positions: Use the same shape across multiple fretboard areas.
Mixing chord and single-note lines: Start with block chords and then experiment with melodic lines that incorporate spread triads.
Changing directions: Ascend, descend, or alternate between inversions to develop flexibility.
Incorporating into improvisation: Listen for opportunities to overlay spread triads over chord changes, such as switching from C major to D major or B minor, as illustrated in practice examples.