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The guitar parts are central to the song's identity. Although Beato's playing a Les Paul (since his SG is with his brother), he strives to approximate the sound of Malcolm Young, AC/DC's rhythm guitarist. The riffs are characterized by a series of downbeats followed by upbeat accents, creating a driving, hypnotic groove. He notes how the rhythmic pattern incorporates a climbing riff with a three-note phrase that propels the song into the next section, demonstrating the band's mastery of rhythmic interplay.