Part 6/8:
Lastly, the oboe enters, bringing a lyrical melodic line that interacts with the existing textures. Beato prompts us to analyze the oboe's notes in relation to the chords, highlighting how its melodic choices contribute to counterpoint and overall emotional storytelling.
Thinking Modal and Expressive: Beyond Tonality
Beato discusses his modal thinking—conceptualizing the harmony within scales like A flat Mixolydian and D-flat Lydian. This modal perspective influences the choice of non-chord tones and melodic movements, allowing for a more nuanced, often ancient or folk-like character that fits perfectly within a cinematic context.