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Similarly, Rick demonstrates identifying a chord as A minor over D-flat major, noting the inversion and the interval of a flat sixth between the outer voices—key clues that aid in naming the chord accurately.
Step 4: Analyze Inversions and Recognize Voicing
A recurring theme in Rick’s strategy is recognizing inversions. Many of the recorded chords are in first or second inversions, which can obscure the root notes but provide clues through the position of the bass and inner voices. Dylan’s aptitude for instantly recognizing these inversions hinges on listening for specific intervals, such as a perfect fourth or a major second, which serve as markers of particular chord qualities and inversions.