Part 6/11:
A recurring element in Shore’s compositions is his skillful modal interchange, especially moving between related minor modes like Aeolian, Dorian, and Phrygian. For example, in segments of the Silence of the Lambs, he transitions smoothly from E Aeolian to E Phrygian, bringing a different color that heightens suspense. These shifts are often achieved through pivot chords and subtle melodic inflections, demonstrating Shore’s deep understanding of modal harmony rooted in jazz and modern classical traditions.