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One of the main ideas is to practice moving between different pentatonic shapes to create dynamic, evolving lines. For example, starting with the D minor pentatonic and gradually shifting up by half steps to the A minor pentatonic and then to the E minor pentatonic adds harmonic interest and tension.
Practical Exercise
Rick suggests an exercise: play eight notes within a pentatonic scale, then move the entire pattern up a half step to the next pentatonic position, continuously ascending through the scale positions. This systematic approach fosters familiarity with the fretboard and develops a fluid improvisational style.
Extending to Different Chord Types
Dominant Seventh Chords (e.g., G7)
Rick explores superimposing pentatonics over G7, highlighting three key options: