Part 9/9:
Use simple patterns to internalize the relationships.
Experiment with moving from less tense (straight minor pentatonic) to more colorful, tension-rich scales.
Apply these concepts to real jazz progressions, especially ii–V–I turns, for practical mastery.
Conclusion
Rick Bat's lesson provides a deep dive into the concept of superimposing multiple pentatonic scales over various chord types. His approach encourages musicians to expand their vocabulary, explore tensions, and develop fluidity across the fretboard. By understanding and practicing these scale superimpositions, guitarists and keyboardists alike can bring greater harmonic complexity and emotional depth to their improvisations.