Part 3/8:
Starting with the low E string, playing the first available arpeggio
Moving to the A string and doing the same
Continuing across the D and G strings
This approach helps internalize the shapes and relate them across the fretboard, making it easier to incorporate spread triads into improvisation and chord comping.
Transitioning to Chords and Progressions
Once comfortable with arpeggiated spread triads, players are encouraged to play the chords as blocks rather than arpeggios. This helps in developing rhythmic control and chord blending skills. Rick illustrates alternating between chords—such as C and D—to form simple progressions, emphasizing the importance of fluency in moving through different voicings.