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The narrative intensifies when it references a notable painting by Francisco Goya—an embodiment of despair and brutality—found within the walls of the platform. This artwork reflects the disillusionment faced by the characters, showcasing a world where not only social structures but also humanity itself is marred by violence and greed.
Perempuan’s interactions showcase her internal conflicts with both historical references and personal tragedies, including the guilt surrounding her role in a child's death. By delving into the brutality of human nature, the film invites viewers to scrutinize the human condition against a backdrop of societal reflection.