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He’s also significantly cut down on equipment costs. During filming, Edwards is often seen holding a Sony FX3, a professional-grade camera that costs a few thousand dollars—much less than the typical multi-million dollar Hollywood camera rigs. This choice underscores his belief that you don’t need massive budgets to produce visually compelling films. His crews are small and discreet; even when they are on set, the aim is to keep all trace of the crew out of frame, creating an almost guerrilla-style filmmaking environment.
This approach represents a stark contrast to the traditional studio model, which heavily emphasizes large crews, high-cost equipment, and extensive post-production. Edwards’ method hinges on efficiency, resourcefulness, and storytelling intimacy.