.jpg)
| Category | Architecturalphotography |
| Film | Fujicolor 100 iso |
| Camera | Canon Eos 3000 |
| Location | Gölyazı Village - Turkey |
Türkçe
Artık resim ve heykel özgür, çünkü bugün herhangi birisi, istediği şekilde bir yapıt ortaya koyabilir ve sonra da sergiler. Mimarlıkta ise her sanatın önkoşulu olması gereken bu temel özgürlük hala yok, çünkü inşa edebilmek için önce diploma gerekiyor. Neden?Herkes inşa edebilmelidir ve bu özgürlük olmadıkça bugünün planlı mimarlığı hiçbir şekilde bir sanat sayılamaz. Bizde mimarlığa uygulanan sansür, Sovyetler Birliği’nde resme uygulanan sansürün aynıdır. Uygulamaya konanlar, sadece kafaları cetvelin egemenliğinde olan ve vicdan azabı çeken kişiler tarafından yaratılan, tek başına kalmış, zavallı ödünlerdir!
...
Apartman katında oturan adam pencereden uzanıp elinin erişebildiği yerdeki duvarı kazıyabilmeli. Ve uzun bir fırçayla uzanabildiği yerleri pembe renge boyayabilmeli ki insanlar uzaktan ya da sokaktan görebilsinler: orada komşularından –onlara sunulan her şeyi kabullenen küçük insanlardan- farklı birisi oturuyor! Ve bu yolla sözde bir mimarlık başyapıtının sergilediği arkitektonik açıdan uyumlu tablo tahrip edilse de, duvarları testereyle doğrayıp her türlü değişikliği yapabilmeli ve odasını çamur ya da plastisinle doldurabilmeli.
...
English
Painting and sculpture are now free, inasmuch as anyone may produce any sort of creation and subsequently display it. In architecture, however, this fundamental freedom, which must be regarded as a precondition for any art, does not exist, for a person must first have a diploma in order to build. Why?
Everyone should be able to build, and as long as this freedom to build does not exist, the present-day planned architecture cannot be considered art at all. Our architecture has succumbed to the same censorship as has painting in the Soviet Union. All that has been achieved are detached and pitiable compromises by men of bad conscience who work with straight-edged rulers.
...
The apartment-house tenant must have the freedom to lean out of his window and as far as his arms can reach transform the exterior of his dwelling space. And he must be allowed to take a long brush and – as far as his arms can reach – paint everything pink, so that from far away, from the street, everyone can see: there lives a man who distinguishes himself from his neighbours, the pent-up livestock! He must also be allowed to cut up the walls and make all kinds of changes, even if this disturbs the architectural harmony of a so-called masterwork, and he must be able to fill his room with mud or children’s modelling clay.
...
| Category | Architecturalphotography |
| Film | Fujicolor 100 iso |
| Camera | Canon Eos 3000 |
| Location | Misi Village - Turkey |
Wow amazing photography thanks for sharing
thanks kavin
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Çocukluk yıllarımı aklıma getirdiniz. Emeğinize sağlık..
teşekkürler :) siz de köyde mi büyüdünüz?
Hayır. Tam aksine hep şehirde büyüdük. Cok küçükken bayramlarda giderdim. O anılar canlandı... Çok güzel detaylandırmışsınız.
teşekkürler. manifestonun kısa bir bölümü bu, mimarlığın toplumsallaşması aslında hepimiz için çok önemli. bunu yazan bir ressam dışarıdan bir bakış açısıyla yazıyor aslında biraz yüzeysel geçiyor konuyu ama tepkisini çok önemli buluyorum.
Yetenek doğuştandir tezine katılıyorum. Eğitimle yeteneğini doğru yer, zaman ve koşulda kullanabilmeyi ogrenmesidir aslında..
Fujicolor 100 is one of my favorite films 😍 My favorite capture is actually the last one, just a quite stoop indicative of daily living.
thank you :) you can see more fuji100 photos on my profile. but i cant find it anymore :/ i am using fuji200 nowadays.
and i switch photos now :) you are right 2. one seems cool on cover.
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