เผ ๐ฟ๐๐๐๐๐๐๐๐๐ เผ
เผ
๐ฉ๐ ๐ฑ๐๐๐ ๐ฎ๐๐๐๐๐๐๐ (๐ช๐๐๐๐๐ ๐น๐๐๐๐)
เผถ
โ ๐ค๐ท๐ช ๐ช๐ฝ๐ถรณ๐ผ๐ฏ๐ฎ๐ป๐ช ๐ธ๐ผ๐ฌ๐พ๐ป๐ช โ
โ ๐ ๐ญ๐ช๐ป๐ด ๐ช๐ฝ๐ถ๐ธ๐ผ๐น๐ฑ๐ฎ๐ป๐ฎ โ
Hace ya un buen tiempo que querรญa experimentar con este tipo de pinturas, el arte de horror es algo realmente interesante, es bastante expresivo y significativo, el hecho de reflejar en una pintura los miedos que nos asechan, por mas simples o complicados que sean, por mi parte, en esta obra pretendรญ reflejar el miedo a ser observado, el miedo a que rostros ajenos observen la privacidad y la intimidad de una persona totalmente desprevenida. Dentro de la misma pintura, logramos apreciar a una mujer acostada en la cama, desnuda, con un telรฉfono en su mano, mientras la rodean rostros espectrales que parecen observarla de cierto modo. Otra pequeรฑa teorรญa que se me ocurre es que la mujer estรก consciente de que esta siendo observada, sin embargo no es capaz de hacer algo al respecto, y prefiere quedarse inerte mientras poco a poco se convierte en un espectro cadavรฉrico, tal y como sus Observadores.
For a long time I wanted to experiment with this type of paintings, the art of horror is something really interesting, it is quite expressive and significant, the fact of reflecting in a painting the fears that stalk us, however simple or complicated they may be, For my part, in this work I tried to reflect the fear of being observed, the fear that other people's faces observe the privacy and intimacy of a totally unsuspecting person. Within the same painting, we appreciate a woman lying in bed, naked, with a phone in her hand, while she is surrounded by spectral faces that seem to observe her in a certain way. Another small theory that occurs to me is that the woman is aware that she is being observed, however she is not able to do something about it, and prefers to remain inert while gradually becoming a cadaverous spectrum, just like her Observers.
โฉ ๐ฃ๐ธ๐ญ๐ช ๐พ๐ท๐ช ๐ฑ๐ฒ๐ผ๐ฝ๐ธ๐ป๐ฒ๐ช ๐ญ๐ฎ๐ฝ๐ปรก๐ผ ๐ญ๐ฎ ๐ต๐ช ๐น๐ฒ๐ท๐ฝ๐พ๐ป๐ช โฉ
โฉ ๐ ๐๐ฑ๐ธ๐ต๐ฎ ๐ผ๐ฝ๐ธ๐ป๐ ๐ซ๐ฎ๐ฑ๐ฒ๐ท๐ญ ๐ฝ๐ฑ๐ฎ ๐น๐ช๐ฒ๐ท๐ฝ๐ฒ๐ท๐ฐ โฉ
โฐ
๐๐ต ๐๐ป๐ธ๐ฌ๐ฎ๐ผ๐ธ โ
๐ฃ๐ฑ๐ฎ ๐๐ป๐ธ๐ฌ๐ฎ๐ผ๐ผ โ
En esta pintura si realicรฉ un boceto inicial usando lรกpiz grafito, como ya expliquรฉ la composiciรณn es totalmente propia, a pesar de haber hecho este boceto, en el transcurso de la pintura me tomรฉ ciertas libertades artรญsticas, agregando algunas cosas, eliminando otras, y modificando la forma y la posiciones de algunos elementos.
Comencรฉ a pintar el fondo, en la zona inferior derecha, con el color negro, para oscurecer totalmente el รกrea y lograrla diferenciar del borde de la cama y los demรกs elementos, dejando originalmente en blanco las zonas donde se suponรญa iban los brazos cadavรฉricos que intentan alcanzar a la mujer.
In this painting I did an initial sketch using graphite pencil, as I explained the composition is completely my own, despite having made this sketch, in the course of the painting I took certain artistic freedoms, adding some things, eliminating others, and modifying the shape and positions of some elements.
I began to paint the background, in the lower right area, with the color black, to completely obscure the area and make it different from the edge of the bed and the other elements, originally leaving blank the areas where the cadaveric arms that were supposed to go were trying Reach the woman.
Dentro del mismo fondo oscuro, comencรฉ a pintar lo que dan la impresiรณn de ser esqueletos, un par de brazos apuntando en direcciรณn a la mujer, un torso y un rostro sin ojos con una especie de boca abierta de forma exagerada, como si gritara.
Within the same dark background, I began to paint what they give the impression of being skeletons, a pair of arms pointing in the direction of the woman, a torso and a face without eyes with a kind of exaggerated open mouth, as if screaming.
โ ๐ท๐๐ ๐ฝ๐๐๐๐๐๐ ๐๐๐ ๐บ๐๐๐๐๐๐๐ โ
โ ๐ฟ๐๐ ๐ฑ๐๐๐๐ ๐๐๐๐ ๐บ๐๐๐๐๐๐ โ
El detalle que a mi parecer es el motivo principal de la obra radica en los rostros que parecen acosar a la mujer, ninguno tiene ojos, sin embargo dentro de la atmรณsfera oscura de la composiciรณn, dirigen sus rostros hacia la mujer. cada rostro parece gritar, como si se acercaran lentamente mientras la mujer mira tu telรฉfono desprevenida.
The detail that I think is the main motive of the work lies in the faces that seem to harass the woman, none have eyes, however within the dark atmosphere of the composition, they direct their faces towards the woman. each face seems to scream, as if slowly approaching while the woman looks at your unsuspecting phone.
Los รบltimos detalles que pintรฉ fueron los de la piel y las sรกbanas que cubren la mitad del cuerpo de la mujer, ademรกs de los brillos e iluminaciones cercanos al rostro originados en el telรฉfono que la mujer detiene en su mano, y asรญ luego de 3 dรญas de trabajo di por terminado el proceso de esta pintura.
The last details that I painted were those of the skin and the sheets that cover the half of the woman's body, in addition to the brightness and illuminations near the face originated in the phone that the woman stops in her hand, and so after 3 days I finished the process of this painting.
๐๐ช ๐๐ฒ๐ท๐ฝ๐พ๐ป๐ช ๐๐ฒ๐ท๐ช๐ต๐ฒ๐๐ช๐ญ๐ช เผ
๐ฃ๐ฑ๐ฎ ๐๐ฒ๐ท๐ฒ๐ผ๐ฑ๐ฎ๐ญ ๐๐ป๐ฝ๐๐ธ๐ป๐ด เผ
โ๐๐ธ ๐ฎ๐ผ๐ฝรก ๐ถ๐พ๐ฎ๐ป๐ฝ๐ธ ๐ต๐ธ ๐บ๐พ๐ฎ ๐น๐พ๐ฎ๐ญ๐ฎ ๐๐ช๐ฌ๐ฎ๐ป ๐ฎ๐ฝ๐ฎ๐ป๐ท๐ช๐ถ๐ฎ๐ท๐ฝ๐ฎ; ๐ ๐ฌ๐ธ๐ท ๐ฎ๐ต ๐น๐ช๐ผ๐ธ ๐ญ๐ฎ ๐ต๐ธ๐ผ ๐ฎ๐๐ฝ๐ป๐ชรฑ๐ธ๐ผ ๐ฎ๐ธ๐ท๐ฎ๐ผ, ๐ฒ๐ท๐ฌ๐ต๐พ๐ผ๐ธ ๐ต๐ช ๐๐พ๐ฎ๐ป๐ฝ๐ฎ ๐น๐พ๐ฎ๐ญ๐ฎ ๐ถ๐ธ๐ป๐ฒ๐ปโ
"๐ฃ๐ฑ๐ช๐ฝ ๐ฒ๐ผ ๐ท๐ธ๐ฝ ๐ญ๐ฎ๐ช๐ญ ๐๐ฑ๐ฒ๐ฌ๐ฑ ๐ฌ๐ช๐ท ๐ฎ๐ฝ๐ฎ๐ป๐ท๐ช๐ต ๐ต๐ฒ๐ฎ. ๐๐ท๐ญ ๐๐ฒ๐ฝ๐ฑ ๐ผ๐ฝ๐ป๐ช๐ท๐ฐ๐ฎ ๐ช๐ฎ๐ธ๐ท๐ผ ๐ฎ๐ฟ๐ฎ๐ท ๐ญ๐ฎ๐ช๐ฝ๐ฑ ๐ถ๐ช๐ ๐ญ๐ฒ๐ฎ'"
๐. ๐. ๐๐ธ๐ฟ๐ฎ๐ฌ๐ป๐ช๐ฏ๐ฝ
๐ต๐ ๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐๐ ๐ผ๐๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐รญ.
๐ซ๐๐'๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐ ๐ผ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐.
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Curador: @historiasamorlez
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Thanks!!!!!โบ๏ธ
Thanks
Quite the powerful piece. Love the details and the process.
Thanks a lot!!!โบ๏ธโบ๏ธ
Gracias!!โบ๏ธ
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