Great post. Thanks.
I love The Royal Tenenbaums one shot scene on the bridge, back and forth between Margot and Eli, ending with the zoom to the PI.
Perhaps a time and a place for the edit muscle and a time and a place for the acting and/or camera rhythm muscle.
Power and good energy to you.
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Yes Wes Anderson is great at creating specific rhythms for moments like that in all of his films! The most successful films, I think, use a combination as you say with camera movements, editing, and performance. It's all a balance!