Pictura (Picture): Okay, the Bingo spirit is carried on with each and every entry. They look like poker chips, but just chips stamped with numbers. Truly I like this for how the chips look mighty old instead of the fresh/new or oldfashioned bingo balls. But we be digressing and we must move unto...
La forma (The form): The first part very much keeps in line with the prompt set up, especially with the numbers being called out. Yet unlike the focus of abstractions we do get the focus of details of expressions (albeit the two do intertwine inbetween). And then the absurd focus of bingo itself, the winner screaming "Bingo!" and the total narrator focus to make us feel the ecstasy she feels. Some artistry that would definitely feel well in TV/Video series. Of course, the favorite dividing line mark to skip time and avoid conveniently having to think what actually happen. And then the second half being a comedic joking of what happened in the first half with the "wise-ærs" son with the overjoyed mother implicated with Synthesia being helped with an illdefined treatment method other than bingo being our only hint.
La filosofía (The philosophy): So let's hashtag move on, as the kid would probably say, and talk about the filosofía as I had hinted at before. So I mentioned at what I saw in yer first part of yer ending was the usage of the prompt's mannerism as to focus in on the expressionism aspect. All culminating at the "orgasmic, triumphant voice she cries, "Bingo!"" just because it reveals how emotionally cathartic bingo can be for people. Of which the latter part of the ending gets the full mocking treatment and the forced realism set in by the kid and the World she's anchored in. But also that the narrator is not wholly unified and that stories can be changed upon the material conditions. Or to complexify it further: material conditions influences ideological-cultural relations.
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