Inside the Kiln - Lightpainting on Hive

in Lightpainters United2 years ago

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Good afternoon Hiveworld.
I hope all is well and that life is good. Chris and I managed to align diaries last night and got back out into the Peak District. Back to the Kiln to shelter from the weather. It rains a great deal in the North of England and having this place so close to us both is a real bonus.

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I took along a sheet of glass which I commandeered from a broken picture frame. I also had a spray gun with me as I had an idea for a really cool effect. Unfortunately we couldn't make it work as envisaged but I shall practice at home and fingers crossed I'll get what I was looking for in the future.
Whilst the glass was set up I thought I'd put it to use in a different way. Chris sprayed the glass with water to leave lots of droplets behind. I opened up the aperture and focused on the glass. This thew the background into lovely blur and if you look closely you can see a perfectly flipped refraction of me stood in the kiln. Blurred out lasers look amazing and this will be something I explore further soon.

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I recently treated myself to a Pro Mist Filter 1/4 from a company called Pig Iron. This gives a wonderful misty/ ethereal look to the image. I like such tools as I believe little touches/details added to a shot can take it from a 7 out of 10 to a 10 out of 10.

Here I paired it with a back lit silhouette and a camera rotation of the www.lightpaintingbrushes.com black fiber optic brush and orange filter attachment. Finished off with the laser. I think it really adds a nice dimension to the shot and brings drama and a sense that some major occurrence has just taken place.

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This one is similar to the title shot. Again we focussed on the glass but this time Chris hit up either side of the glass with a blue torch. I feel this effect works as it tricks the viewer into thinking they are looking in through a window. Stood in the rain whilst something is going on inside the building. That's what I get anyway and I believe a sense of story is super important to photographs such as this.

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This was the last shot of the night for me. I took away the sheet of glass but kept the earlier lighting set up in place. I remembered an effect I created a few years back using use EL Wire. I stand in front of the camera and wave the wire about on strobe mode. Simultaneously bringing one side close to the lens and the other end away from it. I repeat this action moving my hands slowly up and then down to fill the frame. More cool texture which I think just adds a little bit of extra magic to an otherwise samey shot.

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I hope you enjoyed following along with our adventure from last night and if you have any questions about any of my work please feel free to drop me a line.

Cheers to Chris for all his help and as always it was a great evening catching up, having a laugh and creating some awesome imagery. Chris bagged some real bangers.

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Gear used....
Sony A7ii
Nikon 20mm F1.8 G
Lightpainting Brushes Tools
Pane of Glass
Manfrotto Carbon Tripod
Light stand & Clamp
BLF Q⁸ Torch
Green Laser Pointer
Convoy S2 torch
Pig Iron Pro Mist 1/4 Filter

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WHAT IS LIGHTPAINTING?

Lightpainting is a photographic technique in which exposures are made by moving a hand-held light source while taking a long exposure photograph, either to illuminate a subject or to shine a point of light directly at the camera, or by moving the camera itself during exposure. Nothing is added or removed in post processing.

Single exposure Light Art Photography
/nolayer /notricks /nophotoshop

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YOU WOULD LIKE TO SEE MORE LIGHTPAINTING HERE?


Give the Lightpainters United Community a follow and you will be introduced into the world of light painting.

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You will find innovative and original light painting from various artists from all over the world. Have a look at the profiles of some very active Lightpainter in the group:

Mafu Fuma - Oddballgraphics - Fade to Black - DAWN - Chris Thompson - Mart Barras - Stefan Stepke - Nikolay Trebukhin - Leetodd - Stabeu Light - Maxime Pateau - Stephen Sampson - lightandlense - Neil Rushby - L.A.C.E.

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WOULD YOU LIKE TO GET IN CONTACT WITH US?
Join us at Discord
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Thank U for your support and keep shining!
LIGHT, LOVE & UNITY!

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Great shots mate. Last time I came up with the idea of using glas it ended up with many little pieces and cuts in my fingers. 🤣

 2 years ago  

Haha. "Handle with caution" was the order of the evening :) Cheers mate.

I think acrylic glas is right for me. 😁

 2 years ago  

Haha. We came to the same conclusion last night. 👍👍

🤣

So bright and clean, so many elements all sitting in the frame together, synchronised. Edge to edge is total LP and I'm lovin all of them. 😎

 2 years ago  

Cheers fella. We had a productive evening dodging rain in our favourite spot.

I remember that place. Looks like you had a lot of fun in there 😄

 2 years ago  

Cheers buddy. We did indeed 😊

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Love yours shots, amazing❗️I’ve wanted to play with water drops for a whiiiile now but now that you did the shot the way I kind of wanted to, I’ll just have to find a new way of using those droplets 😅❗️

As always, great set of photos, congrats to you 2 🙌🏻❗️

 2 years ago  

Cheers buddy and glad you like the shots. I think you should still go and give it a try. I'll bet you bring a new dimension to it. Take it easy mate and thanks again. 👊👊

Yeah, don’t worry, that’s the awesome thing about LP, everyone’s adding a new level with each technique 😉

Fine art.

 2 years ago  

Danke Marla 😊

Cool effect

 2 years ago  

Thanks very much.

Yay! 🤗
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