Part 6/12:
The scene shifts into Jimson’s chaotic studio, described as a place strewn with supplies, unfinished works, and the wreckage of vandalism. Jimson’s fiery personality comes alive as he critiques others’ work, dismisses art trends, and waxes poetic about his visions. He passionately describes his ideas, including a wall-sized masterpiece and a series of biblical scenes like “The Raising of Lazarus,” which he promises will be revolutionary.