Part 3/10:
Biatt begins his analysis at the song’s opening guitar line, describing a minimalist motif of just two notes implying G major and A minor chords—specifically G-B and A-C. These notes are played as thirds, creating a rich harmonic foundation that immediately catches the ear with its subtle dissonances.
A key feature is the early use of a tritone (F), which acts as a flat seven chord with a sharp four (Lydian flavor). This introduces a haunting and tension-filled sound that primes the listener for the emotional punch of the song.