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Another focus is on incorporating flat nine intervals—not the typical flat nine of a chord but the second scale degree (D over C minor)—to add color and complexity. He illustrates sequences that deploy these intervals and string skipping techniques to create engaging, unpredictable lines.
Sound exploration and guitar positioning
An interesting tip is how repositioning the guitar—holding it more upright—aids in playing fourth intervals more comfortably, which in turn influences the sound and ease of execution. This practical adjustment underscores how small changes in technique and posture can facilitate better improvisation.