Part 9/10:
The conversation concludes with reflections on playing while standing or sitting, with Erin noting that his comfort and energy levels dictate his preference. He shares that simple, "innocuous" lines can sometimes be more challenging than complex riffs, as they demand unwavering attention and subtle control.
He praises his own capacity for improvisation, balanced with a disciplined approach to crafting precise, clean parts that serve the song. He cites influences like Pat Metheny and the vocal qualities achievable through melodic phrasing, underlining the importance of tone and emotional expression in instrumental music.