Part 5/10:
“You can get massive sounds out of tiny packages,” notes Rat, who often uses a 1964 Gibson Skylark or a Tweed Deluxe for recording and live gigs. These smaller amps, often just 10-15 watts, are praised for their richness and character, especially when cranked to saturate their tubes and produce natural overdrive.
The studio veteran emphasizes their convenience: “In a small room or on a busy stage, a small amp is more manageable, and it still sounds great, especially when miked properly.” He also cites their usefulness for home recording, where cranking a small amp into overdrive yields authentic tones without overwhelming neighbors or venues.