Part 5/12:
The harmonic analysis reveals that the vocal melody often targets chord tones such as the 3rd, 5th, and 9th of the chords, accented with passing and neighbor tones that add melodic interest. Notably, over the G# minor chord, the use of the flat 6 (F natural) introduces a blue note, imparting a melancholic, introspective quality—an effect closely tied to the Aeolian mode or possibly Phrygian flavor.
This F natural over G# minor acts as a bluesy, melancholy inflection that deepens the mood of the song. The use of the flat 6 is a hallmark of blues and jazz influences, enriching the song’s emotional palette.