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Deceptive resolutions offer a fresh take on traditional cadences by deliberately avoiding the expected resolution to the tonic chord. Instead, they create a sense of surprise, tension, and release—elements that keep listeners engaged. Rick emphasizes how incorporating these deceptive cadences into pop music can introduce more sophisticated harmonic palettes, making familiar tunes sound fresh and "hip."
Progression 1: From A-flat Minor 11 to E Minor 911 (Deceptive Cadence)
The first progression begins in A-flat minor 11, moving to a D-flat 7 sharp 9 sharp 5, and finally resolving unexpectedly to an E minor 911 chord. Notably, the E minor 911 includes a thumb playing both G and A, creating a voiced chord rich with color tones like G, B, E, A, D, and F#.