Part 2/10:
A core principle Rick highlights is the concept of phrasing, which differs from just playing lines. Phrases should have clear beginnings, middles, and ends—comparable to sentences in language. Proper phrasing creates a narrative arc, with natural punctuation, allowing the improviser to lead the listener through their musical story.
For example, Rick demonstrates a blues solo over B-flat at the start. He explains that even in simple motifs, you can suggest chords without explicitly stating them. A melodic line that leads into a chord tone or resolves on a note related to the harmony gives the impression of logical musical flow. The emphasis on buttoning up phrases—finishing ideas with a sense of resolution—is vital for creating a compelling solo.