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The filmmaker became increasingly concerned that the dominant narrative presented in other films surrounding September 11 focused heavily on conspiracy theories—specifically, claims that the airplane footage is fabricated through CGI or other visual effects. As a skilled video editor, the filmmaker questioned this premise, pondering the logistics of faking so many angles of footage capturing airplanes colliding with the Twin Towers. It became clear that convincing a multitude of ordinary individuals, particularly amateur videographers, to perpetuate such a falsehood was far-fetched.