Part 5/8:
The focus of the documentary seems disproportionately centered on a narrow set of artists such as Kenny Loggins and Michael McDonald, neglecting other vital contributions to the genre. While both Loggins and McDonald are indeed significant figures, their elevation above others creates a skewed understanding of the music scene of that era. The absence of prominent musicians such as Larry Carlton and the omission of key discussions around influential songs further highlight the documentary’s narrow focus.