Part 2/10:
Before the film's release, Zgler raised eyebrows when she dismissed the original Snow White, asserting that her character would no longer be "saved by the prince" but instead aspire to become a leader. Critics viewed such a stance as part of a broader trend in modern reboots—one that emphasizes feminism and progressive values at the potential cost of storytelling depth. This tone set the stage for expectations surrounding a narrative that leaned heavily towards feminist ideals and communist themes, as evident in the film’s promotional rhetoric.