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Carol's choice of attire, including a Gian Batista Valley gown and a reimagined Karolina Herrera wedding dress from 1994, signals both a penchant for high fashion and a desire to showcase her continued relevance in elite circles. Her visits to cultural institutions like the Dior exhibit and Picasso Museum further attempt to paint her as cultured, although the tone remains sardonic, suggesting these gestures are superficial or driven by a need to maintain appearances amid chaos.