Part 10/13:
The critique notes the grand irony: Markle’s insistence on being “a real person” often appears as an act, a performance designed to garner sympathy or admiration. The media, in turn, becomes complicit by amplifying her narrative, often neglecting to question the authenticity of her claims.
Her inability to laugh at herself, her failures, or her inconsistencies only deepen the perception of genuine inaccessibility or narcissistic rigidity. The critique warns that her refusal to embrace humility or humor makes her appear increasingly unrelatable and disconnected from the very public she seeks to impress.