Part 11/13:
The critique extends to Wright's recent filmography, which seems to have lost the vitality that made his earlier works stand out. Films like Baby Driver showcased his editing prowess but lacked memorable characters or meaningful storytelling. Recent efforts, including this adaptation, seem to be hampered by a lack of passion or meaningful thematic exploration.
There is speculation that studio interference, a desire for commercial viability, and perhaps a waning interest in the creative process have led Wright astray. Despite a promising track record, his recent projects appear to reflect a decline in originality and energy, raising questions about his future as a filmmaker capable of high-concept, intelligent cinema.