Part 10/12:
Television seems equally troubled, with many series overrun by woke politics or low-effort cash grabs. For example, Shelby Oaks is critiqued for being bland and uninspired, with some panelists suspecting underlying Freudian themes or personal baggage from creators. Similarly, The Acolyte is seen as a cautionary tale of promising beginnings giving way to divisive politics and decline, with the implication that the entire TV landscape is suffering from the same malaise.