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The film is summarized as a mashup of various horror tropes, which the critic equates to someone asking Chris Stockman to make a horror movie and him saying "yes" without a particular vision. It's described as an amalgamation of different horror aesthetics and storylines—found footage, haunted cabins, possessed serial killers, abandoned towns, cults, and demonic possession—all bundled into a single narrative. This approach results in a film with "little bits of everything," making it feel overly busy and somewhat unfocused.