Part 10/12:
The ending presents another layer of confusion. The villain, after a long display of atrocities, is shown asking Sonia to hold his hand as he bleeds out, claiming forgiveness for his actions. This scene seems to contradict traditional hero-villain dynamics, leaning into a bizarre, almost postmodernist narrative where all characters are shades of gray.
The film's director has openly promoted messages of forgiveness and kindness, which clashes starkly with the violent and nonsensical content. The villain's redemption arc, in which he is portrayed as a victim of circumstance rather than outright evil, undercuts the typical catharsis audiences expect from such stories.