Part 11/13:
The overarching narrative depicts a cultural war in which activists, academics, and corporations aim to reshape Western culture according to modern ideological standards. This involves labeling revered works as racist or problematic, framing them as unsuitable for contemporary audiences, and advocating for their “reformation.” The critique emphasizes that these efforts are less about genuine academic inquiry and more about ideological colonization—bearing the goal of altering or eradicating Western cultural identities.
The author contends that such campaigns are dangerous, threatening the cultural heritage that has shaped Western society, and promotes the idea that the true purpose is to replace these traditions with new narratives aligned with contemporary social justice goals.