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Once upon a time, satanic symbols and themes were associated with underground movements, often used to challenge societal standards and express dissent. They represented a form of rebellion that was intentionally provocative and isolated. Now, such symbols are seemingly ubiquitous, often employed openly in major events, including the Grammys, attended by figures like President Joe Biden. This normalization suggests that what was once a subtle act of rebellion has become part of the accepted cultural landscape, almost as if the culture itself has embraced it as norm.