Part 2/11:
Instead of addressing concerns about creative choices or representation, Disney resorted to labeling dissenters—often fans and critics—as bigots or racists. This approach aimed to shut down debate by accusing skeptics of prejudice, a tactic that, while common, has sparked further resentment and conversation about whether the studio is dismissive of traditional audiences.
Meanwhile, domestically in the United States, the movie's opening has performed relatively well, outperforming some expectations against competition such as Aladdin. However, the global picture tells a contrasting story. International markets—especially in Asia—are showing signs of rejection and disinterest, which pose critical challenges for Disney’s box office ambitions.