Part 9/10:
Final Thoughts: The Power of Historical Narrative in Entertainment
Ryan concludes by emphasizing that Call of Duty and similar media are fictionalized representations of historical events. They are not meant to serve as accurate documentaries. The controversy, he claims, stems from an unwillingness to accept that history—no matter how uncomfortable—can be used to craft narratives, and that doing so might challenge certain ideological narratives.
He invites viewers to make their own judgments, encouraging critical thinking and openness. Ryan hopes that the outrage over the trailer might ironically shine a light on the importance of understanding history through various perspectives—whether in games, movies, or other forms of entertainment.