Part 10/12:
Conversely, the film’s attempt at humor—characterized by cringey one-liners and forced jokes—destroys any sense of gravitas. Craven’s confrontations are peppered with silly quips and over-the-top speeches, making him seem more like a caricature than a deadly predator. The forced humor undermines his threat level, turning what could have been a terrifying figure into a parody that viewers struggle to take seriously.
The Soundtrack: From Savage to Soulless
Music further delineates the stark difference between the two portrayals. In the game, John Pano’s score masterfully captures Craven’s primal nature—raw, unrelenting, and intense. Heavy percussion and tense strings underscore every pursuit, reinforcing his identity as a ruthless hunter driven by a tragic destiny.