Part 6/14:
Critics point out that movies are increasingly produced like assembly-line products—where directors and crew are hired based on agendas, diversity quotas, or ideological credentials rather than creative or storytelling merit. For instance, Marvel studios, which once operated with creative freedom, now often cast directors with limited experience, mainly to fit diversity or identity categories. The process resembles a factory where the art is secondary to demographic representation and ticking ideological boxes.