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In a recent discussion, Trisha Heaton highlights a shift in how comedy writers approach character development, especially concerning issues of diversity and sensitivity. She recounts a story where veteran comedy writers explained that characters in television shows must be allowed to start with flaws or prejudices in order to undergo meaningful growth. For instance, a character described as a Marine who dislikes hugging and is tense around others, initially labeled as homophobic by young writers, was argued to be more authentic if written that way from the outset. Only through this flawed beginning could the character realistically evolve and accept hugs or display growth. This perspective underscores a broader concern that contemporary writers, particularly younger ones, aim for a sanitized, woke portrayal, sometimes at the expense of authentic storytelling.