Part 10/14:
This gap manifested in Goro’s struggles in the industry. Miyazaki’s blatant skepticism and lack of support for his son’s filmmaking ambitions stand in sharp contrast to the nurturing roles often portrayed in his films. Miyazaki’s harsh treatment of Goro—criticizing his work, refusing to assist, and publicly dismissing his efforts—highlight a significant familial contradiction. The critique suggests Miyazaki’s ego and perfectionism have hindered genuine connections with his own family, despite his portrayal of familial love in his movies.