Part 12/14:
He openly admits to disliking his own work once finished, unable to enjoy the fruits of his labor due to relentless perfectionism and self-criticism. This tendency indicates a profound disconnect between the act of creation and the subsequent appreciation, rendering his legacy both immense and conflicted.
The Ego, the Myth, and the True Man
In the closing analysis, Miyazaki is described as an arrogant, ego-driven figure convinced of his unique genius. His confidence borders on hubris—he sees himself as the pinnacle of animation, with the industry incapable of surviving without him. Critics note that this self-assurance often fuels his relentless work ethic but also isolates him from the very community he has helped shape.