detachment and separation. And how do you do that? Well, you just try to stay constantly aware of what you think personally about a situation and recognize that that understanding or that perception is in your consciousness and that you can't let that thing that's there, this idea that's there kind of preexisting way you feel about it. Emotively, you have to try to keep that from coloring what you end up writing. That's not a great explanation. I realize it doesn't feel that unnatural to me, though, because that was just kind of so ingrained in me when I was a young reporter. That was that was just that was everything, you know, and that I wanted to move into book writing to get away from that. But now all these years later, I find myself gravitating back toward it. It's interesting because when I was preparing for this conversation, I didn't just rely on your book and reading the book, but I also went back and watched some of the clips that you referenced, watched a couple of movies, (11/57)
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