"La Gatica" Del maestro compositor venezolano Antonio Lauro by @danieldedosd2

in HIVESICIANS4 years ago

▶️ Watch on 3Speak


English

        Hello friends of #hive, today I wanted to interpret one of the beautiful works of the master Antonio Lauro, I want to dedicate it to #isaria for his pleasure and for being the protector and defender of these beautiful animals that play a very important role in the lives of many beings humans who have been given the task of preserving this beautiful feline species. This waltz is one of Lauro's simplest but it has been performed by an endless number of world-renowned guitarists. I hope it will be to your liking.

Spanish

        Hola amigos de #hive, hoy les quise interpretar una de las bellas obras del maestro Antonio Lauro, la quiero dedicar a #isaria por su gusto y por ser protectora y defensora de estos bellos animalitos que juegan un papel importantísimo en la vida de muchos seres humanos que se han dado a la tarea de preservar esta bella especie felina. Este vals es uno de los más sencillos de Lauro pero ha sido interpretado por un sin fin de guitarristas de renombre mundial espero sea de su agrado.

Biografía:

English

https://en.wikipedia.org/wiki/Antonio_Lauro
Fuente:

        Antonio Lauro (August 3, 1917 – April 18, 1986) was a Venezuelan musician, considered to be one of the foremost South American composers for the guitar in the 20th century.

        Antonio Lauro was born in Ciudad Bolívar, Venezuela. His father Antonio Lauro Ventura, an Italian immigrant, was a barber who could sing and play the guitar so he taught his son what he could, but died when Antonio was still a child. After the family moved to Caracas, Lauro pursued formal musical study (piano, composition) at the Academia de Música y Declamación, where the composer Vicente Emilio Sojo (1887–1974) was one of his teachers. A 1932 concert performed in Caracas by Agustín Barrios, the Paraguayan guitarist and composer, so much impressed the young Lauro (already an accomplished folk guitarist) that he was persuaded to abandon piano and violin in favor of the guitar. From 1933, Lauro studied with Raúl Borges (1888–1967), and was introduced to the classical guitar repertoire. In the next decade, Borges' pupils would also include Rodrigo Riera, José Rafael Cisneros, and Alirio Díaz. These colleagues, especially Díaz, were later responsible for unveiling Lauro's works to an international audience, introducing these unheard works to, among others, Andrés Segovia, Leo Brouwer and John Williams.

poesia steemit 7.jpg

hive-blog-share.png



▶️ 3Speak

Sort:  

Que maravilloso poder escuchar esta obra, y ejecutada de esta forma con las imágenes que vi, me encantó. Felicidades, gracias por compartir tan hermoso trabajo. Te admiro mucho. 🥰🥰😘💝