This is the video series for an oil painting 'Wisteria' I did from 2016-2020. The painting was destroyed in 2021 due to a number of reasons, but mainly: the painting's faulty experimental linseed-epoxide substrait, Covid-19 crushing lockdowns, extreme poverty, family attacks and ongoing US government (Big Tech + Big Media) censorship of me and my 30 years of artwork.
Its not ideal to not be able to show this piece, but I still gained the knowledge of how to do it and invented several useful oil painting mediums & varnishes used in its creation which never yellowed and still cannot be bought anywhere.
I am posting these videos for posterity and for people that are interested in seeing an oil painting created from start to finish in the Baroque style evolved for the 21st century. I also must have deleted some of the initial videos when I did the quick underpainting, but what still exists, I give to you.
I hope this can be an educational experience as no gallery will show any of my controversial art even today.
▶️ 3Speak
It's very good.
Wisteria is a plant species I am familiar with, but I guess my question is what is controversial about painting plants?
Its not the plant Wisteria. It was that I added a P100 3M style mask to this painting back then to expose the Stratospheric Aerosol Injection program to the public started by John O. Brennan and deployed worldwide in 2015. I also am a christian and signed my name next to the Bible verse Romans 4:5, which helped me to come out of my doctrinal confusion sewn in my mind by my sister & her husband who are in a sinless perfection Israeli adoption cult. Its also controversial because this painting was not produced with any mediums or surfaces sold in art stores. Its also controversial because if I was to release said mediums and manufacture them, it would corner the art market as I've tried everything on the market and the mediums and varnishes I make as well as the paint is superior to anything I've used. I still use Blockx oil paint for everything, but make my own oils also using a trade secret process. This makes the oil very non-yellowing which is perfect for what I painted here with all sorts of blues and violets. I invented this stuff after experiments on a gold statue painting done in 2014 that had a blue sky. The art store mediums and oils I used kept yellowing the blues and whites the longer this painting sat around, so I decided to invent my own stuff based on my 30 years almost of studying oil painting and experimenting with it.
Excelente que buen arte
replied to 0:24 on 3speak.tv
Thanks, I wish it was still around for everyone to see, but I consider it now an experiment on the road to perfecting my process and a great proof that my mediums and oils held up and didn't yellow for 4 whole years.