"ER" Enhances the Richness| Macro Photography Session - Technical Description

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Hi everybody :)

Allow me to present another macro photography session, where the main subject this time is a beautiful little conch shell, yet another among the many I still have to visually record. One thing I've noticed over time is that the smaller the objects, the more interesting they are for these sessions, and it couldn't be otherwise, the pieces really need to be small, if not minuscule, it's one of the requirements :)
This conch shell, despite having a very well-preserved structure, also shows the marks of time, where natural wear enhances the richness of the visual material obtained.
The background of the scene, as always, was intentionally blurred, presenting the already characteristic toasted tones that create a subtle contrast highlighting the main element.
The texture of the piece is the most expressive element of the composition, with a surface that reveals a rich relief and natural undulations that create a visual dynamic reflecting its natural formation over time.

Session Purpose

The goal of these macro photography sessions is to capture images with as much detail as possible within the capabilities of the technique used, always focusing on the meticulous observation and documentation of all visual characteristics and details. Furthermore, I aim to create attractive visual compositions for publication on this blog, seeking to share the beauty and complexity of this work.

Let me present today’s model:

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F-stop: F/5 | Exposure time: 1/800 sec. | ISO speed: ISO 1600

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F-stop: F/4 | Exposure time: 1/750 sec. | ISO speed: ISO 1600

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F-stop: F/5 | Exposure time: 1/800 sec. | ISO speed: ISO 1600

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F-stop: F/5 | Exposure time: 1/650 sec. | ISO speed: ISO 1600

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F-stop: F/4 | Exposure time: 1/750 sec. | ISO speed: ISO 1600

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F-stop: F/5 | Exposure time: 1/800 sec. | ISO speed: ISO 1600

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F-stop: F/5 | Exposure time: 1/650 sec. | ISO speed: ISO 1600

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F-stop: F/4 | Exposure time: 1/750 sec. | ISO speed: ISO 1600

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F-stop: F/5 | Exposure time: 1/800 sec. | ISO speed: ISO 1600

Among the numerous techniques available for macro photography, this method is arguably the most cost-effective and efficient for individuals possessing a camera with a removable lens. By simply detaching the lens and reversing its direction, and employing an inversion ring, the process becomes more manageable and streamlined.


Used equipments

Camera: Canon EOS 600D Digital SLR with CMOS sensor
Lens: EFS 18-55mm with f/5 maximum aperture, allowing shallow depth of field and capturing fine details.
Used inverter ring
Tripod: not used
Lighting: Adjustable LED lights to provide soft, even lighting, avoiding harsh shadows and highlighting the details of structures.

Camera Settings

Focus Mode: Manual focus to ensure precision in specific details of the structure.
Aperture: Variable aperture between f/4 and f/5 for adequate depth of field, ensuring all important details are in focus.
ISO: Low ISO setting (1600) to minimize noise in images.
Shutter Speed: Adjust shutter speed as needed to avoid underexposure, while maintaining a value that allows you to capture sharp details.


To finish, i leave you with some considerations regarding these photo sessions:

Observing all these pieces through macro photography reveals a fascinating dimension and breadth, full of minute details that ultimately assume significant importance in the visual composition. The complexity of these objects, when viewed from this perspective, takes on a beauty that is often overlooked by the indifference of the eye. The essence of macro photography lies in its ability to elevate ordinary objects to extraordinary levels, offering an intimate and captivating perspective.

The session is closed for today.
Hope you like it :)

These photos weren't taken with a tripod

Photo by @aleister
Camera - Canon EOS 600D
Lens - EFS 18-55mm
Location - Portugal

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Greetings
Nice details revealed in the photos
Thanks for sharing both the art and the technical details
Regards

As always seen in the details of the images, harmony and form are always found.