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RE: To Exhibit or Not to Exhibit

My path is certainly not to exhibit my Art. any more.

The 'art' world and people 'witnessing' Art. is simply inverted and toxic.

Art. is not meant to be separate from Life, nor from people: it is meant to be in the heart and at the hearth of community.

But we live in a time of such peak disconnect of each and every one from their creativity, that such situations - as described by Ronthroop above - are so common for artists: being exposed, whilst our creativity, meaning and hard work remains completely invisible. Being put on a bizarre torture-pedestal where we're simultaneously 'adored' and treated like a performing dog - or the village idiot. But given all kinds of accolades, lip service and plastic golden keys and statuettes ... and zero recompense for our immense workload.

I feel that our 'art world' in particular is one of the areas of culture which most needs to crumble 🙏🌟🤲👣🍷

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Wow, I couldn’t agree more. I can only add that all art is local (and local can mean international as long as there is open, back and forth communication). I have been so rewarded intangibly by folks in my community. Somehow I have fashioned this wonderful balance between village idiot and creative “wise” person. I think it’s because the greatest reward for any artist is freedom, which gets elaborated on in art practice. Of course I’m not totally free of ALL the headaches of modern living. I believe some artists are terribly wounded with societies’ diseases—canaries in the coal mine. And who wants to exhibit beauty and disease in the same room?
One more add by Kurt Vonnegut from his novel Bluebeard:

I was obviously born to draw better than most people, just as the widow Berman and Paul Slazinger were obviously born to tell stories better than most people can. Other people are obviously born to sing and dance or explain the stars in the sky or do magic tricks or be great leaders or athletes, and so on.
I think that could go back to the time when people had to live in small groups of relatives— maybe fifty or a hundred people at the most. And evolution or God or whatever arranged things genetically to keep the little families going, to cheer them up, so that they could all have somebody to tell stories around the campfire at night, and somebody else to paint pictures on the walls of the caves, and somebody else who wasn't afraid of anything and so on.
That's what I think. And of course a scheme like that doesn't make sense anymore, because simply moderate giftedness has been made worthless by the printing press and radio and television and satellites and all that. A moderately gifted person who would have been a community treasure a thousand years ago has to give up, has to go into some other line of work, since modern communications put him or her into daily competition with nothing but the world's champions.
The entire planet can get along nicely now with maybe a dozen champion performers in each area of human giftedness. A moderately gifted person has to keep his or her gifts all bottled up until, in a manner of speaking, he or she gets drunk at a wedding and tapdances on the coffee table like Fred Astair or Ginger Rogers. We have a name for him or her. We call him or her an “exhibitionist.'”
How do we reward such an exhibitionist? We say to him or her the next morning, 'Wow! Were you ever drunk last night!

That quote made me smile. It makes a lot of sense though :<)

Right?
It’s one of the few by the “world’s champions” that keep me going:)

I have read loads but must admit I haven't read any of his work. Will put it on my To Read list or even search for an audio book as I consume loads of spoken word too, these days.

Slaughterhouse Five was the book that made him famous overnight. I really like his sense of humor and take on the human tragi-comedy. One he wrote before popularity, which is also a great, is Cat’s Cradle.

Cheers for the info. I definitely heard of Slaughterhouse Five. I don't think I've read it but am not 100% sure. Have a great Sunday!✨