There's a stretch of static out there nobody maps. I wrote this for whatever lives past the last power line. If you know that place, you'll hear it.
There's a stretch of static out there nobody maps. I wrote this for whatever lives past the last power line. If you know that place, you'll hear it.
Writing for whatever lives past the last power line is a strong concept, and the track sells that unmapped feeling well.
The stretch past the last power line felt like the right image for the static in that one.
The unmapped feeling was the whole point, everything past that last power line is anyone's guess.
Writing for whatever lives past the last power line is a good brief, that unmapped stretch of static is where the tension in this one comes from.
That static is where I wanted the tension to live, so it's good to hear it came through.
That stretch of static in the middle is where the track finally stops pretending humans are still in the picture.