The Tony Williams Lifetime: John McLaughlin (acoustic and electric guitars), Larry Young (organ) and Tony Williams (drums, vocals). From the album Emergency! (1969).
Bitches Brew by Miles Davis, published in 1970, was the definitive starting point for the development of jazz fusion, which lasted through the 1970s and 1980s. In this revolutionary album, Davis continued experimenting, changing the swing for the rock rhythms, incorporating electric guitar, keyboards and bass, and his trumpet with electronic effects and pedals.
In addition, the top pioneers of jazz fusion participated: Wayne Shorter, Chick Corea, Joe Zawinul, John McLaughlin and Herbie Hancock. The album was assembled by producer Teo Macero from several jam sessions linking sections. Although it was certified gold record, it produced perplexity in the most conservative jazz critics. Miles Davis left music in 1975 for health, alcohol and drugs problems, but his musicians took good note of what they had learned from him and founded their own groups.
The theme is short and a fast-paced rock. The first to enter is McLaughlin playing at a chilling speed a solo full of impulse and vitality with highlights strongly supported by the rest of the group. Then everyone performs an arrangement to give way to Young, who makes an enthusiastic and sometimes overwhelming rendering with an inexorable and breathtaking melodic line. In the meantime, Williams pushes once in a while with intensity and McLaughlin accompanies him throwing more fuel into the fire. After that, the group interprets the arrangement for the second time, Young makes a solo with the organ pedals and then there is an unrestrained collective improvisation. After some time the band pacifies, but without losing momentum. At a certain point, Young increases his furor and on another occasion it’s Williams who plays devilish drumrolls until it comes time to re-expose the theme.
© Polydor Records
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